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60 years of sands through the hourglass on ‘Days of our Lives’

It was 60 years ago today, Nov. 8, 1965, “Days of our Lives” premiered, and the sands began slipping through the hourglass.

For some, that hourglass wasn’t just a symbol of a daytime drama—it was part of the rhythm of our lives. I grew up with this show. I grew up in Salem, in a way. The Bradys, the Hortons, the DiMeras—they’re not just fictional families. They feel like part of mine.

For decades, “Days” has been a constant. Through school days, college years, life changes, heartbreaks, illnesses, summer breaks and holidays. It’s been there.

And not just as background noise, but as a thread—a familiar presence that grew and changed with me. Every dramatic twist, every outlandish plot (every baby stolen, DNA switched, elevator shaft “death”) is a moment of real emotion that made its mark. And still does.

I remember Marlena’s first possession storyline like it happened yesterday. The absolute audacity of it. I’d never seen anything like that on daytime TV. The levitation. The eyes. The chapel scenes. It was over-the-top and absolutely unforgettable.

During a medical recovery years ago, I found the storyline pieced together on YouTube and relived every moment.

Then, years later, they “Days” did it again. And somehow, it worked—again. Marlena, the heart of Salem, taken over by the devil—not once but twice. Deidre Hall carried those storylines with elegance and fire, grounding even the wildest scenes in something deeply human.

And then came Will Horton’s coming-out story. The way it unfolded felt real, complicated, emotional. It didn’t just check a box—it honored a journey. Watching Will wrestle with his truth, watching Marlena support him, seeing that story handled with such depth—it meant something. For a lot of people, it was the first time they saw a version of themselves on daytime TV. For others, it was a master class in empathy. I remember watching those scenes and thinking: this show, for all its outlandishness, has never been afraid of telling human stories.

Then this year, we lost John Black, as Drake Hogestyn died in 2024. And for longtime viewers, that was a gut punch. John Black wasn’t just another leading man. He was the rogue, the anchor, the protector, the lover. His chemistry with Marlena was lightning in a bottle. When the show said goodbye to him, it was heartbreak on top of heartbreak. But it was also beautiful. Thoughtful. You could feel the love behind every scene, both from the cast and the fans. That’s what this show does best—it honors its own history and the people who helped build it.

Even the move to Peacock—controversial at first—ended up feeling like an evolution. There was frustration, sure. Watching a show that had been free and broadcast for decades shift to a streaming service felt like a loss, like something being taken away. But there was something gained, too. Freedom. Flexibility. The show could push boundaries again, try new things, be a little bolder. And somehow, “Days” found a second wind there. A new generation found it. Longtime fans stayed. We adapted—because that’s what fans of this show have always done.

And still, through all of it, nothing gets me like the Horton Christmases. The tree. The ornaments. The way each family member carefully hangs a name, a memory, a legacy. It’s a small moment, but it hits deep every single year. It always has. Because “Days” has never just been about love triangles and evil twins and wild plot twists. It’s been about connection. Family. Resilience. The way we carry on.

It’s also something I love sharing. One of the best parts of being a “Days” fan is connecting with friends who watch, too. Whether it’s texting after a Friday cliffhanger, swapping theories about who’s behind the latest drama or just laughing about a classic Sami move, those conversations add another layer of joy. We speak the same Salem shorthand. We notice things the other missed. We catch up, fill in gaps, revisit old storylines and carry the show together. It’s more than just watching—it’s a shared habit. A language. A bond.

Sixty years. And somehow, it feels both like forever and like no time at all. I think about all the people who’ve come and gone—on screen and off. The ones who’ve grown up, grown older, left the show, returned again. The ones we’ve lost. And the fans, too—the ones who’ve been watching since day one, and the ones who just started. We’re all part of this story now.

So today, I celebrate not just a show, but a legacy. A lifeline. A constant companion. “Days of our Lives” isn’t just television. It’s memory. It’s comfort. It’s home.

And I’m grateful—for every melodramatic moment, every ornament on that tree, every hour that passed through the hourglass.

From Drake Hogestyn to John Black: End of an icon on ‘Days of our Lives’

John Black’s death on “Days of our Lives” hit hard—not just because we lost a fictional hero but because of what it meant for the people who knew and loved Drake Hogestyn.

For nearly 40 years, John Black saved lives, beat the odds and always came home to Marlena. But his final act of heroism—saving Bo—was one he wouldn’t survive.

John Black was the heartbeat of Salem—the other half of one of daytime’s most iconic couples, and a dependable constant through the wildest soap storylines imaginable. Watching him take his final breath wasn’t just painful—it felt personal.

The way he died was classic John Black: Heroic, self-sacrificing and driven by love for family.

He fought to get the medicine Bo needed, making it back from another secret mission just in time to help Steve and Shawn bypass the lab’s security system. That final act was pure John Black—saving a friend no matter the cost.

Bo lives because of John Black, and in a way, that legacy is fitting. John always put others first. But knowing that his final moments were—in some manner—also a goodbye from Drake Hogestyn makes it even harder to watch.

Drake Hogestyn last appeared on the show in September and died a few weeks later following a diagnosis of pancreatic cancer, which he kept away from the public spotlight. “Days of our Lives” films about eight months ahead, so, at the time, Hogestyn was leaving the show for medical reasons, likely planning to return.

He approved the storyline of John Black’s death, and that’s what makes this even more gut-wrenching.

Eric Martsolf, who plays John Black’s son Brady Black, said filming the funeral scenes didn’t feel real.

“It felt very unnatural to film a funeral of a character and a man who you knew was still with us,” Martsolf said in an interview.

By all accounts, Drake Hogestyn was a mentor, a father figure, a steady force behind the show.

I don’t think we’ll ever see a character like John Black again. He and Marlena were the gold standard for soap supercouples. Their love survived death, amnesia, possession and plot twists that defied logic—and it still felt grounded.

We didn’t just say goodbye to a character. We said goodbye to a legacy.

Like sands through the hourglass: Exploring the legacy of ‘Days of our Lives’

For over six decades, “Days of our Lives” has been a cornerstone of television, enthralling audiences with its compelling storylines, unforgettable characters and enduring drama.

Since its debut on Nov. 8, 1965, this NBC soap opera has remained a beloved fixture in the hearts of viewers around the world, earning critical acclaim and a dedicated fanbase along the way.

In its inaugural episode, “Days of our Lives” introduced audiences to the fictional town of Salem, where the lives of its residents are woven together through love, betrayal and intrigue.

At the forefront of the series was the Horton family, led by patriarch Dr. Tom Horton (played by MacDonald Carey) and his wife, Alice Horton (Frances Reid). Their children — Tom Jr. (John Lupton), Mickey (John Clarke), Bill (Edward Mallory), and Marie (Maree Cheatham) — formed the nucleus of the show’s early years, laying the groundwork for decades of dramatic storytelling.

One of the most iconic and memorable storylines on “Days of our Lives” occurred in the mid-1990s when the character Marlena Evans (Deidre Hall) was possessed by the devil. This supernatural plotline, which unfolded over several months, brought a new level of intrigue and suspense to the show. Hall’s portrayal of the possessed Marlena captivated audiences and showcased the series’ willingness to push boundaries, solidifying its reputation as a groundbreaking drama.

Another pivotal moment in the show’s history came with the death of Alice Horton in 2010. Frances Reid, who portrayed Alice for over four decades, passed away, leading to a poignant storyline that paid tribute to her character’s enduring legacy. The loss of Alice reverberated throughout Salem, serving as a reminder of the profound impact she had on the show and its characters.

In addition to these major plotlines, “Days of our Lives” has explored a wide range of captivating story arcs over the years. From forbidden romances to shocking betrayals, the show has never been afraid to tackle complex and controversial topics, keeping viewers on the edge of their seats episode after episode.

One of the most enduring love stories on “DAYS” is the relationship between Bo Brady (Peter Reckell) and Hope Williams (Kristian Alfonso). Their rollercoaster romance, filled with passion, heartache, and undeniable chemistry, has been a cornerstone of the series for decades, capturing the hearts of fans around the world.

The villainous schemes of characters like Stefano DiMera (Joseph Mascolo) have also left an indelible mark on the show’s legacy. Stefano, often referred to as “The Phoenix” due to his ability to rise from the ashes of defeat, has been a constant thorn in the side of the residents of Salem, orchestrating elaborate plots and manipulations that have kept viewers glued to their screens for years.

In recent years, “Days of our Lives” has continued to evolve, introducing new characters and storylines while still honoring its rich history.

In 2011, “Days of our Lives” made history by introducing its first openly gay characters, Will Horton (ex-Chandler Massey) and Sonny Kiriakis (ex-Freddie Smith). Their arrival marked a significant milestone for the show and for daytime television as a whole, as they became pivotal figures in representing LGBTQ representation onscreen.

Will Horton, the son of iconic characters Sami Brady (Alison Sweeney) and Lucas Horton (Bryan Dattilo), initially struggled with his sexuality, grappling with his feelings and fears of rejection from his family and community. Meanwhile, Sonny Kiriakis, the confident and charismatic scion of the powerful Kiriakis family, provided a supportive presence in Will’s life as he navigated his journey of self-discovery.

Their love story unfolded with depth and authenticity, depicting the challenges and triumphs of being in a same-sex relationship in a small town like Salem. As their bond deepened, Will and Sonny faced prejudice, judgment, and external pressures, but their commitment to each other remained unwavering.

In 2012, “Days of our Lives” made history once again when Will and Sonny exchanged vows in a groundbreaking same-sex wedding ceremony. The event was a landmark moment not only for the show but also for LGBTQ representation in mainstream media. It showcased the power of love to overcome adversity and the importance of acceptance and inclusion.

Following their marriage, Will and Sonny faced a series of trials and tribulations, including infidelity, custody battles, and even temporary separation. However, through it all, their love endured, proving to be a source of strength and resilience in the face of adversity.

Massey and Smith’s portrayal of Will and Sonny earned widespread praise from fans and critics alike, with their onscreen chemistry and heartfelt performances resonating with audiences around the world. Their characters’ journeys served as a beacon of hope and inspiration for LGBTQ viewers who saw themselves represented onscreen in a meaningful and authentic way.

The ensemble cast — which has included talented actors over the years such as Sweeney, Drake Hogestyn, Bill Hayes and Susan Seaforth Hayes — remains a driving force behind the show’s enduring success.

From the forbidden romance between Nicole Walker (Arianne Zucker) and Eric Brady (Greg Vaughan) to the dramatic return of fan-favorite characters like Jack Deveraux (Matthew Ashford) and Jennifer Horton (Melissa Reeves), “Days of our Lives” continues to captivate audiences with its compelling storytelling and dynamic characters.

As “Days of our Lives” celebrates over six decades on the air, its legacy as a groundbreaking and beloved show remains as strong as ever. Through its timeless drama, memorable characters and unforgettable moments, the show has left an indelible mark on the landscape of daytime television, earning its place in the hearts of viewers around the world.

In a television landscape that is constantly evolving, “Days of our Lives” stands as a testament to the enduring power of storytelling. Whether it’s a shocking plot twist or a tender moment between beloved characters, the show continues to captivate audiences and remind us of the timeless appeal of good old-fashioned drama. As we look forward to the next chapter in the saga of Salem, one thing is certain: the legacy of “Days of our Lives” will live on for the rest of the days of our lives.

‘Days of our Lives’ to end broadcast run after 57 years, but the show will continue

After 57 years, “Days of our Lives” will end its run on NBC in September, the network announced Aug. 3.

But, fear not (at least for now), DAYS fans, the sands will continue flowing through the hourglass.

“Days of our Lives” will move completely to Peacock, NBC’s streaming service. It will be part of the service’s premium service plan.

NBC will replace the broadcast hour with a news program.

The final broadcast episode of “Days of our Lives” will air Friday, Sept. 9.

Episodes already appear on Peacock after appearing first on NBC. Peacock has already run two spinoff series called “Beyond Salem” and a Christmas movie called “Days of Our Lives: A Very Salem Christmas.”

In a statement, Mark Lazarus, chairman of NBCUniversal Television and Streaming, said the “programming shift benefits both Peacock and NBC and is reflective of our broader strategy to utilize our portfolio to maximize reach and strengthen engagement with viewers.”

Lazarus said “Days” has a “large percentage” of its audience watching digitally. The network did not provide data.

“Days of our Lives” is NBC’s longest-running series.

The drama has earned 58 Emmy Awards, including most recently 2018’s Outstanding Daytime Drama, and 372 nominations, as well as multiple People’s Choice Awards, GLAAD Media Awards and Prism Awards.

NBC’s news release said the show “remains a perennial favorite among viewers of all ages.”

Fan reaction on social media has been mixed — with some excited for the move and hoping for expanded scripts and stories, while other fans worry the show will be canceled.

As a long-time “Days of our Lives” fan, I, too, worry that this means the serial’s impending end. Beloved characters might die and be resurrected again and again, but can the show itself find new life?

Viewing habits have dramatically shifted since the deaths of “All My Children” and “One Life To Live,” each of which had been resurrected for a digital audience long before the onslaught of streaming services.

With the move, NBC will become the first of the long-time “Big Three” networks (ABC, CBS, NBC) to have no daytime drama. ABC continues to air “General Hospital.” CBS continues to air “Young and the Restless” and “Bold and the Beautiful.”

In May 2021, NBC announced that “Days of our Lives” had received a two-year contract extension, continuing the show through its 58th season. That current contract would end in September 2023 — one year from the start of its move to Peacock.

“Days of our Lives” first aired on Nov. 8, 1965. It follows the trials and tribulations of the Bradys, Hortons and DiMeras in the fictional town of Salem.

Will ‘Days of our Lives’ be renewed?

Has the sand run out in the hourglass?

“Days of our Lives” wrapped production on April 16 of its 56th season — reportedly filming 112 episodes over the last 14 weeks. And they did that through an ongoing pandemic!

The current contract extends through September. It was last renewed in January 2020.

The last time this happened, Corday Productions — the production company that produces the show for NBC — let all of the actors out of their contracts. It’s not clear if the same situation happened this time around, according to Soap Opera Network.

It should be noted that when this happened in 2019, the news spread like wildfire, suggesting that “Days of our Lives” had been canceled. So, it’s safe to assume that Corday, Sony Pictures Television (which distributes the show for Corday) and NBC likely wanted to avoid a similar situation.

Of course, if NBC does not renew the drama, there are other (albeit, slim) options. NBC could find a way to include it on Peacock (their streaming service) or it could find a home on another streaming service or network.